Original M-mount Voigtlanders 35/1.4 and 40/1.4 also have terrible bokeh, even worse coma and overall are garbage lenses. Thanks for the review. Sony FE 16-35mm F2.8 GM Wide-angle Zoom Lens Full-Frame E-Mount Cameras - SEL163. Best Astro-Photography Lenses for the Sony A7 series; Sony FE lenses: The honest Guide for the A7/A7II/A7III A7rII/A7rIII/A7rIV A7c A9; Recent Comments. $3,917.20. Sharpness wide open is anything but great, corners never reach the quality of most other primes and many aberrations like Coma or Astigmatism and even distortion are not well corrected. If you are looking for a compact 35mm lens this might be worth a look. Its 35mm focal range caters to a whole host of styles of photography, but is particularly popular for wedding, portraiture and gig photography. Interesting, how much new lens optically differ with m-mount version and Voightlander 40/1.4! There seems to be a reason why all the latest 35/1.4 wonder lenses from Zeiss, Canon, Sony, Nikon and Sigma are the size they are. I had a Voigtlander (film) rangefinder and the 17MM Ultron. The best zoom lenses for the Sony a7 III. The 35mm is in MFT mount by default but a 10$ optional adapter makes it a Sony E mount lens, you just add it on top of the MFT mount with 4 screws Flare resistance stopped down is really good. This great video review takes a … I totally agree this lens is not up to par. I am sending mine back. Only the extreme corners are noticeably soft. Get ready for performance that will propel your photography to new heights. Popular . The official name of this lens is the Tamron 35mm f/2.8 Di III OSD M 1:2 Lens. In terms of ghosts I only managed to create one small purple blob. I would rather recommend the Voigtlander 40mm 1.2 E. This lens seemed so promising, I could have lived with a rather soft look at f/1,4 and sharp corner to corner at f/8 for a small super nicely built mf lens; can however not live with that bokeh. That said, from other online samples I’ve seen of it at f/8, it’s better than I expected. Sony FE lenses: Our comprehensive and independent guide. The Jupiter lenses belong to the very few “lowcost” rangefinder lenses, but what do they have in store in terms of optical quality? Probably the 35 with the worst rendering character I have ever seen. Luckily there is no color cast on A7rII and A7s, unlike with some other fast 35mm lenses. It’s quite usable for astro even wide open – good sharpness and very little coma. By the way, I recognize on the test recordings exactly the old ME Classic with its weaknesses again (incl. In the end it is either one more thing to carry or you have to plan to shoot a certain style of image. Sony a7R III Sony FE 35mm F1.4 Sony FE 85mm F1.4 GM Sony FE 12-24mm F4 Sony a7 III +25 more Reply Reply with quote Reply to thread Complain With the “classic” in the name and based on what I have seen from the M-mount version my expectations were rather low. Similar sponsored items Feedback on our suggestions - Similar sponsored items. With 24.3 megapixels, the α7’s 35mm full-frame Exmor™ sensor rivals that of leading DSLRs. In summary the Canon 35mm f/1.5 LTM lens is a little talked about gem which at the time of its design was considered very fast. Discover the α7R IV 35 mm full-frame camera with 61.0 MP from Sony & explore all the Cameras features. The image sharpens up at f/2.8 and gets really good at f/4.0. It comes in two variants: single- and and multi coated. The bokeh is very nervous in general and light discs are not evenly lit. But the photo with a helmet looks really cool:). Thia lens probably work better in a A7s as they have different sensors. This is such a disappointment. Thanks for this review. When comparing it to the four other 35mm lenses in my 35mm comparison it is closest to the Loxia in terms of rendering. That’s why I bought it. When it comes to zoom lenses this is what I suggest: Sony FE 12-24mm f/4 G (Amazon, B&H)Sony FE 16-35mm f/2.8 GM (Amazon, B&H)Sony FE 24-70mm f/2.8 GM (Amazon, B&H)Sony FE 70-200mm f/2.8 GM OSS (Amazon, B&H)Sony has the entire range covered, and the zooms and AF combine perfectly with the a7/a7 series of cameras. If that is not you there are probably better lenses for you that I listed in the Alternatives section, especially the Voigtlander VM 35mm 1.7 Ultron + 5m PCX filter which is a bit longer but also thinner and only marginally heavier. The following two tabs change content below. Given that you are using a tripod anyway, the size and weight of the Sigma Art should not be a problem. I prefer 1/2 or even full stops. Why ? . Simple backgrounds look fine, and I liked the image rendering in many of your sample photos. Only Samyang makes a cheaper version. Hence this lens in the opposite direction? This website uses cookies to improve your experience. Some years ago (14 years, maybe?) New this lens costs as much as $799/749€. This is the modern interpretation of very fast yet still decently compact wide angle lens. While it isn’t a perfect lens I think it is optically better in every regard. Sony Zeiss Distagon 1.4/35 ZA T* FE/Samyang 35mm 1.4 AF: What can we expect from Voigtlander’s first classic E-mount lens? It is quite collectable and there are not too many of them in circulation which skews the price somewhat. Affordably priced at $349 USD, this is among the cheapest 35mm FE E-mount lens options. Sony A7 III has a Sony E lens mount and currently there are 126 native lenses available for this mount. Between f/1.4 and f/1.7 you can encounter results like the one below quite often though, with huge ghosts all over the frame. Try Voigtlander 35mm 1.7 + 5m PCX filter which I have already used for astro. Perhaps Voigtlander felt the 35/1.7 would be positioned too similarly to the new 40/1.2? If you find the “character” of this lens so bad, I’d be interested to learn what you think about the NEW 35 /1.8FE lens. This is one of the worst performances I have ever seen. There are simply too much options here to cover them all but in case you can get by with a slower and bigger lens you may start taking a look at our Canon FD 35 mm comparison. At minimum focus distance there is some “glow” (spherical aberration) wide open and at f/2.0. I think so too, that is why I am barely interested in trying out the M-mount one. Required fields are marked *. Another comparison to the Voigtlander VM 35mm 1.7 Ultron + 5m PCX filter. Coming to you from Dustin Abbott, this excellent video review takes a look at the Samyang AF 35mm f/1.8 FE lens for Sony E mount cameras. The Voigtlander 35mm 1.4 Nokton E “classic” was announced alongside the Voigtlander 40mm 1.2 Nokton Eand after a slight delay just hit the shelves (02/18). Older manual 35 mm lenses: Not exactly. I am currently looking at my option for a prime lens for street photography and landscapes. Thank you! A very good performer for a decent price. Looking forward for your response. There is even a comparison is this review. Am not familiar with those and wasn’t sure what the marketing speech about “optimized optical design” would mean. FWIW, I generally like its overall rendering in the images I’ve seen so far, when viewing a given image in its entirety, rather than zooming in to pixel level. This ad-free website's biggest source of support is when you use those or any of these links to approved sources when you get anything, regardless of the country in which you live. ... Free shipping . Guide to Ultra Wideangle lenses for the Sony A7 Series V1.3; Review: Sigma 50mm 1.4 EX – Still worth getting in 2020? Sony a7 + Sony 16-35 f/4: $1150 Sony a7 body: The body is in really good shape and has had a screen protector on it since the day I bought it. Focus shift while stopping down, CA’s and bokeh). An enthusiasm for this lens has not set with me. Of course some people like this rendering, the Jupiter-3 50mm 1.5 which is very similar has lots of fans as well, and in the end this is a matter of personal taste and you have to decide whether you want creamy or nervous. Phillip already reviewed the Sony FE 35mm 1.8. I want only a little mf prime in for travel. Check current prices at amazon.com, B&H or ebay.com. The hood is not necessary with the sun inside the frame stopped down (where performance is really good) and it does not help with the the huge red flares between f/1.4 and f/1.7. At just $399, the AF 35mm f/1.8 is … The Sigma 35mm F1.4 DG HSM Art lens is a beautiful lens that is part of the highly regarded Sigma Art series of lenses. Costs about the same as the Voigtländer. Looks nice on the camera at least. Le flou d’arrière plan est doux et agréable, Le rendu des couleurs est assez naturel et agréable, Quelques vidéos : de beaux résultats avec de beaux flous d’arrières plan et un beau bokeh et des couleurs naturelles, mais l’ouverture se fait avec clics , l’objectif est plus typé photo que vidéo, A F8 bien que le centre soit bon,  les coins sont médiocres, A F1.4 les résultats sont très beaux et poétiques pour les portraits mais il faut éviter de regarder les crop à 100% car c’est mou , les résultats deviennent bon à très bon à F2.8/F4, Après quelques temps on se prend à jouer du rendu de l’objectif à F1.4 et à provoquer le flare, pour des résultat plus standard il suffit de fermer vers F4. If you want best across frame performance best stick to f/11. Any time there is a busy background, I see the nervous bokeh and I’m not a fan. All other FE 35mm options are over double the price of this Tamron. Sony Zeiss T* FE 35mm f/2.8 (Full-frame and crop-sensor coverage, 49mm filters, 4.2 oz./119 g, 1.15'/0.35m close focus, about $698). If you are looking for a compact 35mm lens with mainly stopped down shooting in mind I think this is the better choice, get a used one as new they are a bit too expensive. Zeiss ZM 35mm 1.4 T* Distagon: I have a Sigma SD10 (a camera from 2004) and an SDQuattro, and the 30MM f1.4 Art “kit” lens. The Voigtlander 35mm 1.4 Nokton E “classic” was announced alongside the Voigtlander 40mm 1.2 Nokton E and after a slight delay just hit the shelves (02/18). The Sony FE 35mm f/2.8 was the very first native lens for Sony’s full-frame E-mount system along with the FE 55m f/1.8,.When used on full-frame bodies, it offers a moderate wide-angle whereas on APS-C bodies such as the a6300 or a6500, it becomes a standard lens with a 52.5mm equivalent field of view. If you are into astrophotography and looking for a 35mm lens to use wide open stay far away from this one. Sony a7 III Full Frame Mirrorless Camera with 28-70mm and FE 50mm f/1.8 Lens Kit. The Sony a7 II is an image-stabilized full-frame mirrorless camera that was released at the end of 2014. Free shipping. When stopping down the plane of optimal focus shifts to the back, so you have to focus a bit closer for best performance. The 35 F1.4 is an artistic lens whereas the 35mm F2 is a more generalist one. Because the lens shows a slight focus shift I refocused every time I changed the aperture value. I dislike clinical stf-bokeh and too nervous and this is a class of nervous that does not appeal one bit. It was the only 35mm f/2.8 autofocus prime for the system until Samyang … Most of the sample images in this review can be found in full resolution here. We'll assume you're ok with this, but you can opt-out if you wish. This lens is also based on an older rangefinder design. As this lens features a symmetrical optical design I was expecting rather high vignetting figures. While 2 stops slower it is less than half the weight, you don’t have to stop down to f/11 for decent across frame sharpness and you get AF. I like very much my 40 1.4 on the Sony A7 , It has beautiful colours and contrast. Your email address will not be published. Pros - Well, just about everything, hands down. Some people claim it improves on stopping down, I don’t really see that. The Best Full-frame E-Mount FE Zoom Lenses for Sony A7 A7R A7S A7II A7RII A7SII A9 Cameras Updated on Aug 3, 2019 by Tuan Do Professional photographers always preferred fixed focal length (prime) lenses over zoom lenses because of some obvious advantages like the weight, wider aperture, and better performance in low-light environments. Flare and contrast are much better. Sony/Zeiss FE 35mm 2.8 ZA: In this scene stopping down to f/2.8 helps to make the Nokton bokeh a little less nervous. I recommend focusing at working aperture with this lens to get best results. Today i wanted to drive to my seller and look for one, but your review was faster. I bought this yesterday – keen to test it out on photos of people – my sigma 35 was damaged, so this will be it’s replacement. The bokeh ruins the lens for me. As a comparison I included a shot from the same scene taken with the Voigtlander VM 35mm 1.7 + 5m PCX filter. The update seems to refer to the minimum focusing distance (0.3m instead of 1m) the Exif data transmission and the E-Mount compatability. But when I use the 28 Takumar on the sdQ, it just doesn’t seem right. I still checked by taking a few shots without electronic contact between camera and lens and could still barely find any lateral CA, which seems to be typical for almost perfectly symmetrical designs. The corners are mostly affected by astigmatism and coma not field curvature, so unlike many rangefinder lenses focusing for the corners will not really give better results here and only stopping down helps. This lens is really for people who like the rendering with the nervous bokeh and also the glow wide open, but still want to enjoy some modern features like Exif data and decent coatings or do not want to get into adapting legacy lenses. OK, the 35/1.7 Ultron and ZM 35/1.4 leave some hope for a more compact manual focus FE option. To me it’s ‘interesting’ and a bit of eye-candy for certain types of scenes where perfectly smooth Gaussian blur would otherwise be rather generic. It is made for Sony E-mount mirrorless full-frame cameras. Beautiful 10-pointed sunstars as we are used to see from the Voigtlander lenses. This former lens has not been tested by you. This is not an unusual performance for a lens like this; the small diameter certainly takes its toll here. Bokeh is also not that smooth (still smoother and quite good in close up scenarios at least) and corner as well as coma performance at f/2.0 to f/2.8 isn’t great either. Waiting for your comparison on the FE35mm f1.4 /Samyang/ and may be the sigma. The Batis, depending on whether you want to buy new or used, I find hard to recommend now that the Sony FE 24mm 1.4 Gm is available. I could see the 1.7 Ultron on the sdQ as a possibility, but the 17-50 f2.8 zoom is very good, and the 30 is very close to the 35mm of the Ultron, so why bother? In Germany the recommended price is 699 €. The “classic” designation relates to the heritage of this lens as its symmetrical optical design is very similar to the older M-mount 35mm 1.4. Where it seems to suffer against modern designs, once stopped down a bit, is a general lack of micro contrast. Apparently there is nothing comparable in this size. Thats sad. Until the profile for this lens is available you can use the one for the M-mount version in Lightroom which is doing a good job. Voigtlander Ultron 1.7/35: P.S: i am a hobby photographer. I have very recently switched from Nikon DSLR to Sony mirrorless (A7Rii), enjoying the camera thoroughly. In this section, We are going to illustrate Sony A7 II and Sony A7 side-by-side from the front, back and top in their relative dimensions. So far none of the small 35mm lens I have used were really good in this regard, but this is probably the worst. Wonderful review, many thanks! The 35mm f/2.8 above would also be a great pick. The Voigtlander VM 35mm 1.7 Ultron is a modern design which makes use of an aspherical lens element. Volume and weight of the lens are similar and the performance is really impressive. You can find it at CameraQuest, B&H, on amazon.com/amazon.de and also on ebay.com/ebay.de (affiliate links). Pour les sujets en mouvements au n’est pas au même niveau que les Samyang 35mm F1.8 ou le Sony FE 35mm F1.8 mais Yongnuo mettant à jour très régulièrement ses objectifs pour améliorer l’Af on devrait s’en approcher (ex le 50mm F1.8 est à la V9 et le 85mm à la V7) Real classic lenses tend not to: including the smc takumar (though it was great in this regard for its era), Performs exactly like a 1970s lens. The Jupiter-12 35mm 2.8 is a copy of the Zeiss Biogon 35mm 2.8 and was produced in the UDSSR after WWII. Voigtlander Nokton 1.2/40 E: The 35mm comes with geared rings to mount on the focusing ring and aperture ring for use with a follow focus. Best Standard Prime Lenses for Sony a7 III. If you purchase the lens through one of these affiliate-links I get a small compensation with no additional cost to you. Distortion is pretty high for a 35mm lens. I also have a 28mm Takumar f3.5 lens that I have used, quite happily, on the SD10. All markings are painted and engraved and there is a small metal screw in type hood in the package as well. Your email address will not be published. It’s high built standard, very compact, not that heavy and makes the Sony A 7 / A 6000 pocket-friendly. While reviewing the Sony A7 II, I had a chance to test and play with every Sony FE lens made as of April of 2015.The list includes the following lenses: Sony FE 35mm f/2.8, Zeiss Loxia 35mm f/2, Zeiss Loxia 50mm f/2, Sony FE 55mm f/1.8, Sony FE 16-35mm f/4 OSS, Sony FE 24-70mm f/4 OSS, Sony FE 28-70mm f/3.5-5.6 OSS and Sony FE 70-200mm f/4 OSS. I am not the biggest fan of the bokeh of the Voigtlander 35mm 1.4 Nokton E and on your IG account I don’t really see pictures that would benefit from it. The 35mm is heavier (700g i.o 580g ) and bigger (117mm vs 107mm) than the 50mm. I consider that lens to be simply superb. A good wide-aperture 35mm lens is one of the most versatile lenses out there, popular for a wide range of photography and videography applications. found a little typo: ¥å 7Artisans 35mmF1.4 交æã¬ã³ãºãã¼ã¿ãã¼ã¹ | ã¨ããªãï½åçé楽éä¸è¨ï½, Distance de mise au point minimale : 40cm, Centre : Mauvais à F1.4 , Mou de F2 à F5.6 , Moyen à F8, Bon à F11, Moyen à F16, Coins : Mauvais de F1.4 à F11 , moyen à F16, Le vignettage est très visible à pleine ouverture puis diminue mais ne disparait jamais complètement, La résistance au flare est en dessous de la moyenne, Le Bokeh est très bon à pleine ouverture, même avec l’ouverture fermée à F4 les ronds de bokeh restent circulaires et doux. It was the direct successor to the Sony a7 and uses the same full-frame 24-megapixel sensor as its older sibling. Sony A7 II has external dimensions of 127 x 96 x 60 mm (5 x 3.78 x 2.36″) and weighs 599 g (1.32 lb / 21.13 oz) (including batteries). If you like the look of this kind of old school symmetrical wide, then at least this one has great flare and contrast control. If you have a bigger budget, go for the Zeiss Batis 25mm f/2. Sony Zeiss FE 35mm f/1.4 Distagon T* ($1,598): Fast, sharp, and loaded with the latest technology, the FE 35mm f/1.4 ZA offers outstanding optical performance in a versatile 35mm focal length.The fast f/1.4 maximum aperture provides very effective low light capability and shallow depth of field control. The focus ring has perfect resistance and travels ~120° from the minimum focus distance (0.3m) to infinity. If you are after across frame sharpness get this lens and a 5m PCX filter (see this article) to get rid of the field curvature introduced by the Sony filterstack. Using the hood does not really help in these situations, but stopping down (already to f/2.0) does. If you like nervous this might be just the lens for you. So I decided it was time to get a new 35mm f1.4 This Sigma ticked all the boxes. While the Voigtlander 5.6/10, 5.6/12, 4.5/15 and 1.2/40 offer a de-click function for the aperture the 1.4/35 doesn’t, just like the 2/65. New this lens costs as much as $799/749€. $2,448.00. Compared to: Voigtlander VM 35mm 1.7 Ultron + 5m PCX Filter. Sigma 35mm f1.4 DG HSM Art Lens - Sony E Fit. In E-mount Voigtlander has released only the 40mm 1.2 Nokton E in this focal length range so far. Comment document.getElementById("comment").setAttribute( "id", "aecd601ecb64a9a19ae9325b4d176652" );document.getElementById("ff493c6245").setAttribute( "id", "comment" ); My name is Bastian and I am your expert here when it comes to ultra wide angle lenses, super fast portrait lenses (ranging from a 50mm f/0.95 to a 200mm f/1.8) and I also have reviewed way too many 35mm lenses. What can we expect from Voigtlander’s first classic E-mount lens? Best Astro-Photography Lenses for the Sony A7 series, NOKTON classic 35mm F1.4 E-mount データベース | とるなら～写真道楽道中記～, First Voigtlander 1.4/35 FE review by Phillip Reeve: "this lens is in no way competitive to modern designs" - sonyalpharumors sonyalpharumors, Sony FE lenses: The honest Guide for the a7 series - phillipreeve.net, Sony FE lenses: A comprehensive and independent guide, Guide to Macro Lenses for the Sony a7 series, Beginner’s Guide to Manual Lenses on the Sony a7, Guide to Adapters for Manual Lenses on the Sony a7 series, The Guide to Canon FD lenses on the Sony a7 series, The rated List of Minolta MD/MC Lenses on the Sony a7, Guest Review: Pentax SMC FA 31mm f1.8 Limited, Guide to Ultra Wideangle lenses for the Sony A7 Series V1.3, Sony FE lenses: The honest Guide for the A7/A7II/A7III A7rII/A7rIII/A7rIV A7c A9. It is sharp enough and even in the corners if you stopped down. Thank you for the nice review! IMO it’s totally unrealistic to expect anything technically amazing from this optical design. I’d say that the best budget option for your trip would be the Sony 28mm f/2. In M-mount Voigtlander released the closely related but not identical 1.4/35 some time ago. But when focusing at something a bit farther away in high contrast scenes like the one below the problem can be easily visible: When you stop down to f/4.0 the color fringing is mostly gone. The 30mm Art is just so much better, in almost every way, except perhaps in size. enlarge.I got mine at Adorama; I'd also get it at Amazon or at B&H.. Wide open at f/1.7 the coma performance is comparable to the Nokton at f/4.0 and the sharpness to the Nokton at f/8.0. And yet I would consider the Voigtländer 35mm F1.2 SE to be one of the most attractive 35mm E-mount lenses available at the moment (if one is at least ok with focusing manually). The Voigtlander 35mm 1.7 is slightly longer but the volume is the same or less. The 7Artisans 35mm F1.4 (219 euros) is the 2nd full full frame lens for sony from 7Artisans after the 7Artisans 35mm F2 (240 euros) The lens is a little bit less expensive than the F2 while have a faster aperture. The center improves quite a lot already at f/2.0 and reaches peak performance at f/4.0. Thanks for this review of actual performance and your thoughts on the matter, particularly the idea of these older lens designs on newer digital cameras. Should not be much more expensive than the 35mm 1.4 classic. Don't ask me anything about macro or wildlife shooting though. Instagram: theonlyoneatif. The aperture ring has 1/3 stop click stops again which I think is a bit too much. Looks like it was made for the Sony A7. Professional usability and flexibility combine in the remarkable α7R IV. Now I will say that the tonality and rendering of the SD10 is quite different from the Quattro…But the high resolution of the Q sensor (and possibly the Sony and other new cameras) simply does not, in my view, mesh well with the older lenses on a practical level and the new sensors expose every defect in those older lenses. The new edition 2018 with the suffix “E” seems to be identical to the structure (8-Lens). And wide open there is very strong vignetting of roughly 3.4 EV (it equalizes the previous record holder the Leica 35mm 1.4 FLE), stopped down to f/2.0 vignetting improves to still rather strong 2.6 EV, at f/2.8 it is 1.9 EV and at f/8.0 still 1.2 EV. But f2.8 is frustrating and limiting at times. There is distinct barrel distortion which can be pretty obvious. By giving up half a stop of speed you get a modern lens which is a great performer and offers the smoothest bokeh of all small 35mm lenses. The “classic” designation relates to the heritage of this lens as its symmetrical optical design is very similar to the older M-mount 35mm 1.4. And with Sony’s latest BIONZ X processor and most advanced autofocus, the α7 offers outstanding detail, sensitivity, and quality. If you are looking for smooth and creamy bokeh this lens is not for you. Read on to find out. You can find it at CameraQuest, B&H, on amazon.com/amazon.de and also on ebay.com/ebay.de (affiliate links). Instead, the CV 35/1.2 is awesome, and wide open you get a Noctiluxish rendering. With the recent release of the Sony a7 & a7R (http://bit.ly/sonyA7s), there were a few FE lenses announced for the full-frame E-mount format. Review: Sigma 50mm 1.4 EX – Still worth getting in 2020? Wide open the lens is rather soft with quite some glow at these distances. The Sony FE 1.8/35 has a recommended price of $749. ” You can enjoy soft delicate descriptions reminiscent of classic lenses with stable image quality.” seemed to promise at least okay bokeh, if not astro performance. Check at amazon.de. Still, almost no distortion and a really great landscape and architecture lens at f/8.0. Awful, awful…. There is noticeable focus shift (see section further below) and I refocused for every shot here. How is VC 35 /1.4 Classic M-mount + 5m PCX compared to this ??? As the first full-frame camera to offer five-axis image stabilization, it was a groundbreaking camera when it was released. So far none of the Voigtlander E-mount lenses disappointed in this category and this holds true for the new 35mm 1.4 classic as well. I share his opinion. It has some distortion on the edges of the frame, but it’s small, sharp, fast, and the price is great. The impressive resolution is backed up with fast and innovative AF, 5-axis stabilization, and 10fps burst shooting — all in a compact, robust body. A7 III also has a sensor based image stabilization system which means that all of these lenses will be stabilized when used on A7 III. I still haven’t laid my hands on one of these yet. As it seems so far for good reasons: this lens is in noy way comparable to modern designs like the Zeiss ZM 35mm 1.4 or the Voigtlander Ultron 35mm 1.7. The midframe is another story, there is an area which is hit quite badly by field curvature and focus shifts differently compared to the center and corners.
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